Theatre

"An exhilarating, multi-layered new play."--The Guardian "Stirring and stylishly told . . . McCraney's crispest and most confident work."--Daily News "Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."--The Village Voice The Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy The Brother/Sister Plays with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, Choir Boy premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim. Tarell Alvin McCraney is author of The Brother/Sister Plays: The Brothers Size, In the Red and Brown Water, and Marcus; Or the Secret of Sweet. Other works include Wig Out!, set in New York's drag clubs, and The Breach, which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.

"A richly absorbing and emotionally abundant play...An instant classic." --Independent "A mighty affair, sending stories, characters, history, politics and love skittering across the floor with the flair of a gambler rolling dice. It's a stunning piece of writing: teeming with life; haunted by death...Butterworth takes the great family drama and makes it his own." --Financial Times "An astonishing, enormous, shattering eruption of a play...It left me genuinely stunned." --Time Out London "A rich, serious, deeply involving play about the shadows of the past and the power of silent love." --Guardian "It's a tumbling and tumultuous play, one that swerves off into storytelling, song and dance, and debate, without taking its eye off the need for suspense. It's a thriller that bursts the bounds of its genre, but never forgets what makes the form tick." --Variety "A serious, seriously good, grown-up play...Something special." --The Times "A feast of intricate storytelling, it's absorbing, soulful and ultimately shattering." --Evening Standard "Vanishing. It's a powerful word, that. A powerful word." Armagh, 1981. The Carney farmhouse in Northern Ireland is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor. Jez Butterworth is also the author Mojo, The Night Heron, The Winterling, Parlour Song, Jerusalem and The River. His plays have premiered in London at the Royal Court Theatre and the Almeida Theatre and in New York City at the Atlantic Theatre and on Broadway. He has won numerous awards for his work, including the E. M. Forster Award from the American Academy of Arts and Letters. He lives in Somerset, England.

(Vocal Selections). This matching folio to the 2019 Broadway musical based in the 1988 film of the same name features 15 vocal arrangements with piano accompaniment. Songs include: Barbara 2.0 * Creepy Old Guy * Day-O (The Banana Boat Song) * Dead Mom * Fright of Their Lives * Girl Scout * Home * Jump in the Line * No Reason * Prologue: Invisible * Ready, Set, Not Yet * Say My Name * That Beautiful Sound * What I Know Now * The Whole "Being Dead" Thing.

Winner of the 2019 Pulitzer Prize for Drama "Dazzling and ruthless...One of the most exquisitely and systematically arranged ambushes of an unsuspecting audience in years...A glorious, scary reminder of the unmatched power of live theater to rattle, roil and shake us wide awake." --Ben Brantley, New York Times Grandma's birthday approaches. Beverly is organizing the perfect dinner, but everything seems doomed from the start: the silverware is all wrong, the carrots need chopping and the radio is on the fritz. What at first appears to be a family comedy takes a sharp, sly turn into a startling examination of deep-seated paradigms about race in America.

 

 

 

Are you a researcher struggling to mine and make sense of a mountain of fashion data? Are you interested in learning about how digital methods and tools could enhance your research? Have you thought about ways to spark and engage in academic conversations on social media? Have you wondered how digital technologies are internationalizing the field of fashion and textile studies? Digital Research Methods in Fashion and Textile Studies presents the reader with a variety of digital methodologies to help build skills in searching for, analyzing, and discussing vintage design, photography, and writing on fashion, as well as historic and ethnographic dress and textile objects themselves. Each chapter focuses upon a different method, problem, or research site, including: - Maximalism and mixed-methods approaches to research - Searching large databases effectively - Pattern recognition and visual searching - New trends in academic communication - Critical reading, use, and citation of social media texts - Data visualization - Spatial mapping of fashion and textile data In the current age of instant gratification, with users snapping and posting images from runway shows long before the clothes will ever appear in stores, the world of fashion is increasingly digital and fast-paced. Digital Research Methods in Fashion and Textile Studies will help you keep up in this rapidly changing world.