During the African American cultural resurgence of the 1920s and 1930s, professional athletes shared the spotlight with artists and intellectuals. Negro League baseball teams played in New York City's major-league stadiums and basketball clubs shared the bill with jazz bands at late night casinos. Yet sports rarely appear in the literature on the Harlem Renaissance. Although the black intelligentsia largely dismissed the popularity of sports, the press celebrated athletics as a means to participate in the debates of the day. A few prominent writers, such as Claude McKay and James Weldon Johnson, used sports in distinctive ways to communicate their vision of the Renaissance. Meanwhile, the writers of the Harlem press promoted sports with community consciousness, insightful analysis and a playful love of language, and argued for their importance in the fight for racial equality.
Jack Cristil (1925-2014) was a Southeastern Conference icon and the Voice of Bulldog athletics for more than five decades. In this biography, Cristil's remarkable life and career is shared with all Bulldog fans. Authored by Mississippi journalist Sid Salter with a foreword by distinguished Mississippi State University alum John Grisham, the book originally sold over 10,000 copies and raised over $170,000 for the Jacob S. "Jack" Cristil Scholarship in Journalism at MSU. With a fifty-eight-year association with MSU, Cristil was the second-longest tenured college radio play-by-play announcer in the nation at the time of his 2011 retirement. During his legendary career as the Voice of the Bulldogs, Cristil called 636 football games since 1953. That's roughly 60 percent of all the football games played in school history. He was in his 54th season as the men's basketball play-by-play voice, having described the action of almost 55 percent of all the men's basketball games. In all, Cristil shared with Bulldog fans across the Magnolia State and around the world more than 1,500 collegiate contests. Central to Cristil's inspiring story was his upbringing in Memphis as the son of first-generation Russian-Jewish immigrants. This paperback edition is updated with new material covering Cristil's death and memorial service, with additional post-retirement and memorial photos.
There was a time when the most prestigious job on a major newspaper belonged to the baseball beat writer, who enjoyed unparalleled longevity and influence within his profession. Through a variety of events and circumstances--television, expansion, all-sports radio, lifestyle changes, and the Internet revolution--those days are long gone. The baseball beat writers endure, but jobs change, and they now face new challenges. Keepers of the Game celebrates the last generation of baseball writers whose careers were rooted in Teletype machines, train travel, and ten-team leagues, and who wielded an influence and power within the game that are unimaginable today. Dennis D'Agostino brings together, for the first time, the personal histories of a group of journalists whose influence and dedication to the game of baseball are part of the golden age of sports journalism. Twenty-three vintage beat writers tell their own stories, with an individual chapter devoted to each writer. The interview subjects include nine winners of the Baseball Hall of Fame's J. G. Taylor Spink Award, the baseball writing profession's highest honor: Ross Newhan, Hal McCoy, Murray Chass, Peter Gammons, Bob Elliott, Rick Hummel, Tracy Ringolsby, Nick Peters, and Bill Madden. They and their colleagues were the best of their breed, that last generation of writers who were the unquestioned gatekeepers of the national pastime. For decades, their words shaped the history of the game.
Harry Caray is one of the most famous and beloved sports broadcasters of all time, with a career that lasted over 50 years. Always a baseball enthusiast, Caray once vowed to become a broadcaster who was the true voice of the fans. Caray's distinctive style soon resonated across St. Louis, then Chicago, and eventually across the nation. In The Legendary Harry Caray: Baseball's Greatest Salesman, Don Zminda delivers the first full-length biography of Caray since his death in 1998. It includes details of Caray's orphaned childhood, his 25 years as the voice of the St. Louis Cardinals, his tempestuous 11 years broadcasting games for the Chicago White Sox, and the 16 years he broadcast for the Chicago Cubs while also becoming a nationally-known celebrity. Interviews with significant figures from Caray's life are woven throughout, from his widow Dutchie and grandson Chip to broadcasters Bob Costas, Thom Brennaman, Dewayne Staats, Pat Hughes, and more.Caray was known during his final years as a beloved, often-imitated grandfather figure with the Cubs, but the story of his entire career is much more nuanced and often controversial. Featuring new information on Caray's life--including little-known information about his firing by the Cardinals and his feuds with players, executives, and fellow broadcasters--this book provides an intimate and in-depth look at a broadcasting legend.--Provided by publisher.
During the 1920s--the Golden Age of sports--sports writers gained their own recognition while covering such athletes as Babe Ruth, Bobby Jones, Jack Dempsey, and Red Grange. The top journalists of the era were the primary means by which fans learned about their favorite teams and athletes, and their popularity and importance in the sports world continued for decades. Legendary Sports Writers of the Golden Age: Grantland Rice, Red Smith, Shirley Povich, and W. C. Heinz details the lives and careers of four sports-writing greats and the iconic athletes and events they covered. Although these writers established themselves during the 1920s, their careers extended well into the decades that followed. They reported on Jesse Owens, Joe Louis, Sandy Koufax, Arnold Palmer, and many other stars from the 1920s and beyond. Lee Congdon examines not only the lives and careers of Rice, Smith, Povich, and Heinz, but the distinctive writing style that each of them developed. Taken together, these four writers lifted sports reporting to heights that it is unlikely to reach again. This book brings to life the greatest era in sports history, as seen through the eyes of four legendary sports writers. Sports fans, historians, and those interested in sports journalism will all find this a fascinating and informative look at a time when the sports world was at its peak.--Provided by publisher.
The use of female sideline reporters is the fastest-growing new aspect of televised broadcasts of professional and college football. Names like Suzy Kolber, Erin Andrews, and Andrea Kremer are now as well known as any of the men in the booth. In recent years women have been sports columnists and reporters, talk-show hosts, even coaches and team administrators. And yet there has never been a book about this phenomenon. Former ESPN news anchor Betsy Ross fills this void with Playing Ball with the Boys, a fascinating, behind-the-scenes look at the emerging role that women play in sports broadcasting and reporting as well as in the business of sports. Ross interviews a number of the biggest names—from Kolber and Kremer to USA Today columnist Christine Brennan and Lesley Visser and many others—who offer first-hand accounts of the struggles and the triumphs of women playing what has always been a man’s game. She provides a history of this unique facet of the sports world, from pioneering female newspaper sports reporters to the celebrated breakthrough into televised sports by former Miss America Phyllis George, who is interviewed in the book. Ross covers the controversial moments, from locker room confrontations between players and female reporters to the infamous sideline interview in which Joe Namath attempted to kiss Suzy Kolber during a live broadcast. Readers also learn of women who played pro sports on male teams or coached men’s teams. They meet a woman who runs a professional baseball team and another who is a team doctor. Through this tale, Ross weaves her own story, recalling how she went from a small town in Indiana to the anchor’s chair at the largest sports network in the world, ESPN. She explains what it’s like for a woman to succeed in the male-dominated world of sports broadcasting.
In 1950, Vin Scully broadcast his first major league baseball game for the then-Brooklyn Dodgers. Nearly sixty years later he still invites a listener to "pull up a chair," completing a record fifty-ninth consecutive year of play-by-play. Recruited and mentored by the legendary Red Barber, the New York-born Scully moved with the Dodgers to Los Angeles in early 1958. His instantly recognizable voice has described players from Duke Snider to Orel Hershiser to Manny Ramirez, with hundreds in between. At one time or another, Scully has aired NBC Television's Game of the Week, twelve All-Star Games, eighteen no-hitters, twenty-five World Series, and network football, golf, and tennis. He has made every sportscasting Hall of Fame; received a Lifetime Emmy Achievement award and a Star on the Hollywood Walk of Fame; and been voted "most memorable [L.A. Dodgers] franchise personality." In 2000, the American Sportscasters Association named Scully the Sportscaster of the 20th Century. The first biography of Vin Scully is long overdue. Curt Smith--to USA Today, "The voice of authority on baseball broadcasting"--is the ideal man to write it. Scully opens each broadcast by wishing listeners, "A very pleasant good afternoon." Pull Up a Chair will provide a reader with the same.
When the members of the first baseball players' union formed their own league in open revolt against the reserve clause and other restrictive practices of the National League, baseball journalism became less of a "curiosity shop" phenomenon and moved into the mainstream. Baseball writers Henry Chadwick, T.H. Murnane, and Ella Black covered the labor struggle on the field and in the front offices--and took sides: one as a mouthpiece for the capitalist owners, one as a supporter of the cooperatively operated Players' League, and one as a voice for female journalists. Through a close examination of their work, this book charts the rise of sports journalism in response to the famed Brotherhood War of 1890.
Why do accomplished writers (and grown-ups) like Ron Carlson, Rick Bass, and Michael Chabon (to name but a few of those represented here) still obsess over their baseball days? What is it about this green game of suspense that not only moves us but can also move us to flights of lyrical writing? In Scoring from Second: Writers on Baseball some of the literary lights of our day answer these questions with essays, reminiscences, and meditations on the sport that is America's game but also a deeply personal experience for player, observer, and fan alike. Here writers as different as Andre Dubus and Leslie Epstein, Chabon and Floyd Skloot, Michael Martone and William Least Heat-Moon reflect on the game they grew up with, the players who thrilled them, and the lessons that baseball holds for us all. From the one-season wonder to the long-haul heroes to the hall of fame, the game that has framed so many American summers--and lives--comes to quirky, instructive, and always entertaining life in these pages.
The phenomenal popularity of college athletics owes as much to media coverage of games as it does to drum-beating alumni and frantic undergraduates. Play-by-play broadcasts of big college games began in the 1920s via radio, a medium that left much to the listener's imagination and stoked interest in college football. After World War II, the rise of television brought with it network-NCAA deals that reeked of money and fostered bitter jealousies between have and have-not institutions. In Play-by-Play: Radio, Television, and Big-Time College Sport noted author and sports insider Ronald A. Smith examines the troubled relationship between higher education and the broadcasting industry, the effects of TV revenue on college athletics (notably football), and the odds of achieving meaningful reform. Beginning with the early days of radio, Smith describes the first bowl game broadcasts, the media image of Notre Dame and coach Knute Rockne, and the threat broadcasting seemed to pose to college football attendance. He explores the beginnings of television, the growth of networks, the NCAA decision to control football telecasts, the place of advertising, the role of TV announcers, and the threat of NCAA "Robin Hoods" and the College Football Association to NCAA television control. Taking readers behind the scenes, he explains the culture of the college athletic department and reveals the many ways in which broadcasting dollars make friends in the right places. Play-by-Play is an eye-opening look at the political infighting invariably produced by the deadly combination of university administrators, athletic czars, and huge revenue.
What sports fans read, watch, and listen to at home often isn t the real story coming out of the locker room or the front office. George Castle should know; he s covered baseball in Chicago for decades and witnessed the widening gulf between the media and the teams they re supposed to cover and the resulting widespread misinformation about the inner workings of the game. In this book, Castle chronicles from the inside the decline of baseball reporting and shows in clear and practical terms how ill-served today s sports followers are by those they trust for the straight story."
Ford Frick is best known as the baseball commissioner who put the "asterisk" next to Roger Maris's record. But his tenure as commissioner carried the game through pivotal changes--television, continued integration, West Coast expansion and labor unrest. During those 14 years, and 17 more as National League president, he witnessed baseball history from the perspective of a man who began as a sportswriter. This biography of Frick, whose tenure sparked lively debate about the commissioner's role, provides a detailed narrative of his career and the events and characters of mid-20th century baseball.
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